Beijing Cicimi Architectural Design Co., Ltd. Pavilion Pine Nuts, Hangzhou / Embankment by Kuang Architectural Design Studio

The entrance of the pavilion is located on the second floor with a lower ceiling, so the treatment of the entrance wall of the entrance is very important to attract the attention of the guests. We deconstructed the traditional Japanese hemp leaf pattern into rhombus and equilateral triangles and reassembled to get our double-layer grid wall. We can get different visual effects from different angles, but from the front, the hemp leaf pattern is still the center of vision. On the panel of the shoe

entrance porch of the second floor

The entrance of restaurant is planned on the second floor where it has low ceiling height, so it is very important to design the walls as eye-catching ones. For the entrance wall, we disassembled the traditional ASANOHA pattern to two different geometric layers, one layer has diamond pattern and the another has the equilateral triangle pattern. In front of the wall we can recognize it as ASANOHA, but it gradually shifts toward the periphery.

Half of the area on the second floor is composed of private rooms and sushi bars. We use the traditional Japanese taiko drum as a partition, which ensures privacy and transparency at the same time. In the other half of the hall on the second floor, we applied the elements of the wooden grille wall on the two walls of the hall. In order to ensure sunlight and block the cluttered view of the adjacent street outside, we planted the entire balcony with plants and used the open Yukimi shoji as a part

hall

sushi bar

staircase

On the third floor, there planned VIP rooms of calm atmosphere. For using enough height of attic, we expanded the set of staggered shelves called as CHIGAI-DANA up to the ceiling, and put the indirect lighting on them. This technique is reference of KASUMI-DANA at SHUGAKUIN imperial villa in Kyoto.

sections

The entrance of the pavilion is located on the second floor with a lower ceiling, so the treatment of the entrance wall of the entrance is very important to attract the attention of the guests. We deconstructed the traditional Japanese hemp leaf pattern into rhombus and equilateral triangles and reassembled to get our double-layer grid wall. We can get different visual effects from different angles, but from the front, the hemp leaf pattern is still the center of vision. On the panel of the shoe

entrance porch of the second floor

The entrance of restaurant is planned on the second floor where it has low ceiling height, so it is very important to design the walls as eye-catching ones. For the entrance wall, we disassembled the traditional ASANOHA pattern to two different geometric layers, one layer has diamond pattern and the another has the equilateral triangle pattern. In front of the wall we can recognize it as ASANOHA, but it gradually shifts toward the periphery.

Half of the area on the second floor is composed of private rooms and sushi bars. We use the traditional Japanese taiko drum as a partition, which ensures privacy and transparency at the same time. In the other half of the hall on the second floor, we applied the elements of the wooden grille wall on the two walls of the hall. In order to ensure sunlight and block the cluttered view of the adjacent street outside, we planted the entire balcony with plants and used the open Yukimi shoji as a part

hall

sushi bar

staircase

On the third floor, there planned VIP rooms of calm atmosphere. For using enough height of attic, we expanded the set of staggered shelves called as CHIGAI-DANA up to the ceiling, and put the indirect lighting on them. This technique is reference of KASUMI-DANA at SHUGAKUIN imperial villa in Kyoto.

sections

Home

Design Service Provider

Find Requirements

Turn Back

Comments

Feedback from Buyer