Project Background
Beijing Yosemite Villa, the hostess professional jewelry design, like the oriental classical style. The male protagonist has a cheerful and sincere personality, and the Confucian and Taoist philosophy of doing things is at hand, and is naturally integrated into life and business management. The two have lived abroad for many years, and they find that the more they deeply understand Western life, the more they feel the preciousness of traditional Chinese culture
Interior Renderings
The wooden entrance partition takes the form of a leaking window, creating a warm and elegant first impression after entering the house, and also makes the flow line pause slightly, and resolves the collision between the door and the elevator door.
The high platform on the right is a tea room, which needs to be detoured behind the partition to enter.
Walnut tea table is in accordance with the design drawings of the furniture factory custom processing, the shape originates from the combination of table and table screen, associated with the beauty of the comb back chair, in the shape echoes the entrance partition. Layer by layer, gradually away from the hustle and bustle, let the inner peace, the body and mind naturally focused.
The lustrous texture of walnut wood and the plain sisal carpet blend into a gentle and elegant slow pace.
The cabinets are all made by woodworkers on site, and even the two-centimeter border wooden square is cut and skinned by the side strips of the board, which ensures the environmental quality of the scene as much as possible, and is seamlessly sewn with the ceiling, which is perfectly connected.
The glass enclosure and space are the jewelry workshops for the hostess.
Transformed into a guest bathroom with an open art space. The handwashing station is set up separately to satisfy the functions of washing hands and teacups, but also has a beautiful feeling. The glass wash basin and the partition between the jewelry work are organically combined, more like a work of art in the spotlight, and the ordinary Changhong glass seems to have a little pearlescent.
Exit the elevator room in the direction of the tea room.
The sofa is adjacent to the Luohan bed, and the original wooden legs of the sofa are deliberately removed and directly landed on the ground. The reduction of the height matches the overall atmosphere and is low-key and peaceful.
The main sofa of the living room faces the courtyard, and the previous window is demolished and changed into a folding sliding door, which not only allows you to enter and exit at will, but also blurs the boundaries between indoor and outdoor, extends the living room space, is closer to nature, and creates a pleasant and self-satisfied world for private enjoyment.
courtyard
Outside the folding sliding door, the grass is luxuriant and the water is babbling.
The ground is paved with blue-black rock chips to polish the rounded corners on the spot.
The courtyard cloister structure is made of steel frame with red oak solid wood panels, the stigma and feet are wrapped in metal, exquisite and elegant, with moisture-proof functions, and the ground floor is Barau solid wood floor.
As a barrier to the courtyard, the carbonized red pine sheets are neatly arranged, and there are regular gaps, which seem to reflect the scenery in the hospital. Windmill jasmine is slender and powerful, tough and delicate, as the first plant to catch your eye after entering the house, it is tepid and appropriate.
The tea table center extends to the restaurant center, which is decent, peaceful and balanced.
The opening partition between the living room and the dining room is added, which breaks the discomfort of the original narrow space and increases the layer and sense of picture.
The second floor is exclusive to children and is simple and clean in light wood and white. The large table on the right is where the children learn.
The room next to the washstand and the Far Eastern style of the door shape have no sense of contradiction with the Japanese main tone.
Children's room, two small bedrooms with lofts, each embedded with two children's exclusive space.
Fossma doors with traditional wooden tracks and slip belts have also been installed.
The wooden entrance partition takes the form of a leaking window, creating a warm and elegant first impression after entering the house, and also makes the flow line pause slightly, and resolves the collision between the door and the elevator door.
The high platform on the right is a tea room, which needs to be detoured behind the partition to enter.
Walnut tea table is in accordance with the design drawings of the furniture factory custom processing, the shape originates from the combination of table and table screen, associated with the beauty of the comb back chair, in the shape echoes the entrance partition. Layer by layer, gradually away from the hustle and bustle, let the inner peace, the body and mind naturally focused.
The lustrous texture of walnut wood and the plain sisal carpet blend into a gentle and elegant slow pace.
The cabinets are all made by woodworkers on site, and even the two-centimeter border wooden square is cut and skinned by the side strips of the board, which ensures the environmental quality of the scene as much as possible, and is seamlessly sewn with the ceiling, which is perfectly connected.
The glass enclosure and space are the jewelry workshops for the hostess.
Transformed into a guest bathroom with an open art space. The handwashing station is set up separately to satisfy the functions of washing hands and teacups, but also has a beautiful feeling. The glass wash basin and the partition between the jewelry work are organically combined, more like a work of art in the spotlight, and the ordinary Changhong glass seems to have a little pearlescent.
Exit the elevator room in the direction of the tea room.
The sofa is adjacent to the Luohan bed, and the original wooden legs of the sofa are deliberately removed and directly landed on the ground. The reduction of the height matches the overall atmosphere and is low-key and peaceful.
The main sofa of the living room faces the courtyard, and the previous window is demolished and changed into a folding sliding door, which not only allows you to enter and exit at will, but also blurs the boundaries between indoor and outdoor, extends the living room space, is closer to nature, and creates a pleasant and self-satisfied world for private enjoyment.
courtyard
Outside the folding sliding door, the grass is luxuriant and the water is babbling.
The ground is paved with blue-black rock chips to polish the rounded corners on the spot.
The courtyard cloister structure is made of steel frame with red oak solid wood panels, the stigma and feet are wrapped in metal, exquisite and elegant, with moisture-proof functions, and the ground floor is Barau solid wood floor.
As a barrier to the courtyard, the carbonized red pine sheets are neatly arranged, and there are regular gaps, which seem to reflect the scenery in the hospital. Windmill jasmine is slender and powerful, tough and delicate, as the first plant to catch your eye after entering the house, it is tepid and appropriate.
The tea table center extends to the restaurant center, which is decent, peaceful and balanced.
The opening partition between the living room and the dining room is added, which breaks the discomfort of the original narrow space and increases the layer and sense of picture.
The second floor is exclusive to children and is simple and clean in light wood and white. The large table on the right is where the children learn.
The room next to the washstand and the Far Eastern style of the door shape have no sense of contradiction with the Japanese main tone.
Children's room, two small bedrooms with lofts, each embedded with two children's exclusive space.
Fossma doors with traditional wooden tracks and slip belts have also been installed.
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